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Despite the era, the storyline bears some similarities to and their activities horrifying the older generation. The arrival of the 1914 - 1918 war has a huge impact upon the 'Bright Young Things' of the title and their everyday lives and expectations.
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Reviewed in the United States on March 22, 2020 Verified Purchase What a wretched film. I don't understand the point? Goes no where. Reviewed in the United States on February 27, 2020 Verified Purchase Reviewed in the United States on November 28, 2011 Verified Purchase The difficult part of reviewing something you love, in this case for me the movie Bright Young Things, is that one tends to have rather a lopsided view. So, that being said, I probably do have a lopsided view, but after having watched this movie again recently, I was reminded why I enjoy it so much. The sheer amount of cast that has gone on to bigger and better things is kind of astounding, for one. That Stephen Fry has made a film that manages to be ridiculously over the top yet sombering at the same time is another thing. My only quibble is in how much I cannot stand the female lead character (not the actress Emily Mortimer, she plays the character perfectly) as being paired with the male lead, but that's a characterization issue and is particular to me in part.
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Just as in his 'Brideshead Revisited, ' Evelyn Waugh provides insightful social commentary. This film is delightfully set in 1930s England; but, the frivolities of the idle rich and the absurd quest for notoriety equally apply to the US today (think film or music 'stars' and reality TV. ) I'd already seen this on TV some years ago and wanted to enjoy this satire again. And, it does have subtitles. Reviewed in the United States on October 1, 2016 Verified Purchase This is a fascinating movie written and directed by Stephen Fry, who is a genius. Based on an Evelyn Waugh novel, it shows characters jazzing through the 20s and surviving the 30s. You'll recognize nearly every actor in it and be astonished by the range of these actors. Reviewed in the United States on November 5, 2019 Verified Purchase Beautiful, haunting drama that masquerades as a light story of youthful dalliance. Reviewed in the United States on January 28, 2020 Verified Purchase Donated it to my local library after watching it one time.
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But Evelyn Waugh was much the darker and arguably closer to reality. He was good friends with real bright young things, Richard, David and Olivia Plunket Greene the grandchildren of British composer Hubert Parry – who wrote 'Jerusalem' and much else besides. They used to go to New York 'to have their trousers altered'. There they fell in love with the Harlem Jazz Club scene. Richard Plunket Greene and his wife Elizabeth had a son, Alexander who in the 1950s married the fashion designer Mary Quant. The two of them helped fuel the swinging sixties and a new set of Bright Young Things. What goes around comes around, as they say. Stephen Fry's first feature film fizzes with vim and vigour. It was fun while it lasted. 5. 0 out of 5 stars Undemanding, frothy fun Reviewed in the United Kingdom on January 15, 2016 Verified Purchase This is a great film with an excellent cast. If you like Evelyn Waugh's books and enjoy things which are set in the 1920s, you are highly likely to enjoy his work (originally published as Vile Bodies) when it becomes a film.
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Top reviews from the United States There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on November 30, 2019 Verified Purchase If you haven't seen this film already, I don't know what you're doing with your life. It's sweet, it's sad, it's funny, it's got a young (and adorably femme) Michael Sheen. Not to mention a young David Tennant (who plays an absolute knob with a terrible mustache) and James McAvoy. It's absolutely delightful and you're robbing yourself of a fun cinematic experience if you don't watch it immediately. Reviewed in the United States on April 30, 2015 Verified Purchase It's rather a shame when one criticizes a film for not being an exact transformation of an excellent book; this 2003 movie is a brilliant debut of the talented Stephen Fry's adaptation and directing abilities. Stephen Campbell Moore and Emily Mortimer lead a stellar cast which includes Jim Carter and his wife Imelda Staunton, Simon Callow, Richard E Grant, David Tennant, Julia McKenzie, Fenella Woolgar, James McAvoy, Michael Sheen, Jim Broadbent, Stockard Channing, Sir John Mills, and Peter O'Toole.
Familiar faces flash across the screen in a breathtaking succession from a cocaine-snorting John Mills, Peter O'Toole to Jim Broadbent, Simon Callow, James McAvoy, Jim Carter, a gaily wonderful Michael Sheen, Harriet Walter, Bill Patterson, David Tennant, Dan Ackroyd, Angela Thorne, Julia Mackenzie, Imelda Staunton, and Richard E Grant amongst others. It's as if Director Stephen Fry's address book has come to life (and yes, he gets to play a minor part too). But there's one that seemingly got away. Male lead Stephen Campbell-Moore on occasion produces inflections that at times have an uncanny resemblance to Hugh Laurie's portrayal of Bertie Wooster. Adam Fenwick-Symes is not quite as stupid or hapless as Wooster and Hugh Laurie was either too busy or cannily counted himself out. Or Fry thought better of it anyway. But the comparison is apposite as Woodehouse and Waugh were the two great British comic writers of the early twentieth century. Woodhouse was unquestionably the funnier of the two.