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Zijn regiedebuut was met Hamam, een Italiaans, Spaans en Turks co-productie. De film, uitgebracht in mei 1997 werd gepresenteerd op de 50ste editie van het Filmfestival van Cannes in de Quinzaine des Realisateurs sessie. De film werd opgenomen in andere internationale festivals en werd verkocht voor distributie in meer dan 20 landen over de hele wereld. In 1999 regisseerde hij Harem Suare, gelegen in zijn geboorteland Turkije, het vertellen van de gekwelde liefdesverhaal tussen de sultan favoriet, Safiye, en de eunuch Nadir, met de val van het Ottomaanse Rijk in de achtergrond. Het verhaal is geschreven door Özpetek zich in samenwerking met Gianni Romoli, die ook de film met Tilde Corsi en hun R & C Productiebedrijf geproduceerd. De film werd gepresenteerd in de sectie Un Certain Regard op het filmfestival van Cannes, alsook op het London Film Festival en op het Toronto International Film Festival. In 2001, Özpetek gericht His Secret Life (Le Fate Ignoranti), met in de hoofdrol Margherita Buy en Stefano Accorsi, een zoet en gemakkelijk om naar te kijken drama over homoseksualiteit en binding en de vriendschap van verschillende soorten buitenstaanders.
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Prologue: A ship on the stormy seas The noble corsair Conrad, his friend Birbanto, and the other corsairs fight the violent, stormy seas. Seo Hye Han and Lasha Khozashvili in Ivan Liška's Le Corsaire Photo credit: Liza Voll Lia Cirio as Gulnara in Ivan Liška's Le Corsaire Act I: Marketplace of Andrinople Lankedem, a rich merchant and slave trader, plays chess with his servant, the slave Ali. Birbanto appears with the other corsairs, followed by their leader, Conrad. Medora, the beautiful Greek foster daughter of Lankedem, appears on her terrace. She sees Conrad and immediately falls in love. She throws him a bouquet of flowers, each with a special meaning, and Conrad, understanding the symbolism, falls in love just as quickly. Lankedem angrily separates them and sends Medora back inside. The Pasha is carried into the marketplace where the slave traders present him with their most attractive slave girls, but he is not interested. Lankedem presents his special treasure—the slave Gulnara.
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For a director who hasn't made a major film in nearly a decade, William Friedkin is undergoing something of a surprising revival. The 84-year-old American director's up-and-down career has enjoyed a collective critical appraisal in recent years, while he has been the subject of multiple documentaries: the kind of film-maker-becoming-the-film treatment that few auteurs get once in their careers. One such, admittedly, he made himself. The Devil and Father Amorth (2017), on Netflix, is an indulgent curio that attempts to revive the mythos of Friedkin's 1973 horror tale of satanic possession, The Exorcist, while Alexandre O Philippe's still unreleased Leap of Faith takes a longer, more enlightening view on the same film. But Friedkin Uncut, available to stream from 17 August (multiple platforms), is a lively, all-encompassing primer for fans of his work and newcomers alike. Francesco Zippel's documentary is no-frills stuff, centred straightforwardly on Friedkin as he talks us through his six-decade career, from TV documentaries in the early 1960s to Oscar-winning mainstream success in the 70s and various peaks and valleys since.
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- Journée internationale pour l'élimination de la violence à l'égard des femmes | Nations Unies